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	<title>Open Music Rights</title>
	<link>https://openmusicrights.com</link>
	<description>Open Music Rights</description>
	<pubDate>Tue, 05 Apr 2022 15:25:35 +0000</pubDate>
	<generator>https://openmusicrights.com</generator>
	<language>en</language>
	
		
	<item>
		<title>English</title>
				
		<link>https://openmusicrights.com/English</link>

		<pubDate>Sat, 02 Apr 2022 00:11:15 +0000</pubDate>

		<dc:creator>Open Music Rights</dc:creator>

		<guid isPermaLink="true">https://openmusicrights.com/English</guid>

		<description>
	Open Music RightsEffective, global neighbouring rights management.
Contact us to join.


Our mission is to use expertise and technology to make sure independents are paid everything they are due.
Neighbouring rights revenue made up 13% of total recording industry revenue in 2020, totalling $2.7bn.
We have the expertise and experience to make sure you don’t miss out. 
Working as your agent, we set you up with direct society memberships. That means quicker payments, more transparency, and more confidence that repertoire is being correctly managed and all revenue returned.
Our growing network now covers over 30 territories, 85% of the global market by value and 18 of the top 20 territories.
We charge a simple fee: 5% of the revenue plus £0.02 per track, per territory, per month&#38;nbsp;

If you own or control sound recording neighbouring rights, we can help. Contact support@openmusicrights.com for information about how to join.




	
Open Music Rights is part of The state51 Music Group.&#38;nbsp; 
support@openmusicrights.com
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	<item>
		<title>What We Do</title>
				
		<link>https://openmusicrights.com/What-We-Do</link>

		<pubDate>Mon, 04 Apr 2022 12:57:53 +0000</pubDate>

		<dc:creator>Open Music Rights</dc:creator>

		<guid isPermaLink="true">https://openmusicrights.com/What-We-Do</guid>

		<description>What We Do

Open Music Rights is an efficient, global neighbouring rights management service for independent artists, labels and other sound recording rights holders.&#38;nbsp;

How it works&#38;nbsp;
You appoint OMR as an agent to represent the sound recordings you choose, in the territories you choose. &#38;nbsp;You send us metadata and an audio file for each sound recording.
We register your recordings in the territories you select. 
We deal with administration, conflicts and making sure there are no issues affecting your repertoire and right to collect revenue. 
You keep 95% of revenue.&#38;nbsp;We charge a simple fee: 5% of the revenue plus £0.02 per track, per territory, per month.

How much does OMR's service cost?
We charge a simple fee: 5% of the revenue plus £0.02 per track, per territory, per month. This is billed monthly. 

Which territories can we help you with?
We are able to represent your sound recordings in 30+ territories, covering 85% of the market by value. 
This is our current list of territories with the respective societies in each one of them: 
Australia - PPCA
Austria - LSG
Belgium - SIMIM
Bulgaria - Prophon
Canada - RE:Sound
Croatia - ZAPRAF
Czech Republic - INTERGRAM
Denmark - Gramex DK
Estonia - EFU
Finland - Gramex Finland
France - SPPF
Germany - GVL
Greece - Grammo
Hungary - MAHASZ
Ireland - PPI
Italy - SCF
Latvia - LAIPA
Lithuania - AGATA
Netherlands - SENA
Norway - GRAMO
Poland - ZPAV
Portugal - AudioGest
Serbia - OFPS
Slovakia - SLOVGRAM
Slovenia - ZAVOD IPF
South Africa - SAMPRA
Spain - AGEDI
Sweden - ifpi Sweden
Switzerland - SWISSPERFORM
Ukraine - UMA
United Kingdom - PPL
USA - SoundExchange 
Open Music Rights is part of The state51 Music Group.
Contact us.</description>
		
	</item>
		
		
	<item>
		<title>Why Work with Us</title>
				
		<link>https://openmusicrights.com/Why-Work-with-Us</link>

		<pubDate>Tue, 05 Apr 2022 11:19:24 +0000</pubDate>

		<dc:creator>Open Music Rights</dc:creator>

		<guid isPermaLink="true">https://openmusicrights.com/Why-Work-with-Us</guid>

		<description>Why Work with Us

Neighbouring rights are the rights to broadcast sound recordings, and to play them in public. 

Open Music Rights’ mission is to make sure independent artists and rights holders receive all the money they are due from the exploitation of these rights. 

This is an increasingly important income stream. Global revenue was $2.7bn in 2020, representing 12.6% of total recording industry revenue.*
Neighbouring rights share of domestic market
France: 26.9%
Brazil: 22.5%
Germany: 18.6%
UK: 17.2%
US: 8.7%*
* IFPI Global Music Report 2020
The rights, and resulting revenue, are usually managed in each country by a dedicated collecting society. 
To earn money when your sound recordings are played in public or broadcast in a particular country, the society there needs to have information about the sound recording and who should be paid.

Too often, independent artists and music companies are missing out on this revenue
Managing these rights, registering with the right societies, and dealing with problems like missing or inaccurate data, can be complicated and time consuming. 

It is hard to know if you’re doing the right things, and receiving the right money. 
International representation from your local collecting society may not always offer full coverage, or full confidence in the representation of your rights. This can be a problem if you have success in some specific countries outside of your domestic market.
 The largest music companies benefit from direct memberships, and closely scrutinise collecting societies to maximise their revenue.
Open Music Rights provides direct access to sound recording rights collecting societies
Our growing network covers 30+ territories, 85% of the global market by value and 18 of the top 20 territories.
Working as your agent means, where possible, you have direct membership of societies.
Direct society memberships can offer quicker payments, more transparency, and more confidence that repertoire is being correctly managed and revenue returned.
We are flexible, transparent and effective
You choose the territories.
We work on a rolling 1 year term, charging a simple fee: 5% of the revenue plus £0.02 per track, per territory, per month.
We register repertoire, manage rights and representations with societies, and report back all revenue and data provided.
Expertise and technology
Our technology and processes are designed to minimise the complexity and workload for our partners and take advantage of our teams’ expertise.

Our team has many years of legal and operational experience managing music rights, working with international collecting societies, and developing lasting partnerships with independent artists, labels and the wider community. 
We were closely involved with the development of new delivery technology RDx, with WIN, IFPI and collecting societies, which allows for automated, standardised repertoire and rights submissions to many societies. 

How to Join
Please contact support@openmusicrights.com for more information about how to join.




Open Music Rights is part of The state51 Music Group.
Contact us.</description>
		
	</item>
		
		
	<item>
		<title>Team</title>
				
		<link>https://openmusicrights.com/Team</link>

		<pubDate>Mon, 04 Apr 2022 10:29:37 +0000</pubDate>

		<dc:creator>Open Music Rights</dc:creator>

		<guid isPermaLink="true">https://openmusicrights.com/Team</guid>

		<description>Team


Pauline Bertinet LinkedIn
Peter Bradwell
LinkedIn


Open Music Rights is part of The state51 Music Group.
Contact us.</description>
		
	</item>
		
		
	<item>
		<title>Join</title>
				
		<link>https://openmusicrights.com/Join</link>

		<pubDate>Tue, 05 Apr 2022 15:25:35 +0000</pubDate>

		<dc:creator>Open Music Rights</dc:creator>

		<guid isPermaLink="true">https://openmusicrights.com/Join</guid>

		<description>Join
Email us at support@openmusicrights.com to get started.</description>
		
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